THE DELHI MANIFESTO Our cinema screen has become an ill-constructed, and conventional portal to a world we aspire of, rather than a mirror, which reflects us. Our emotions are guided by leitmotifs placed deftly, and religious beliefs exploited. Our spirit of inquiry has become dead and we have been reduced to mere receivers in the process. Cinema and television has replaced interaction with imposition of thought. Its thought. An artificial, fake and ill-created thought, a manifestation of our needs to escape ourselves. The medium has become a symbol of cheap entertainment, devoid of any examination of the form, and a victim of our collective need to create personalities, perfect alternate universes, and images of our aspiration. Our criticism has become trivial. Stories take precedent over the intrinsic qualities of the cinematic medium. Our film lovers are snobs, indulging in their wholehearted pseudo-intellectual diatribe, condemning the ignorant, and the ignorant have become so used
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