Anime Cine Experience, New Delhi

By -

Cine Darbaar, in collaboration with the Embassy of Japan, Directorate of Film Festivals, Japan Foundation, is organizing a 3-day Animation film festival at Siri Fort auditorium II on the 20th, 21st & 22nd August, 2010. It’s the first time that a festival will be celebrating Japanese-Anime, Manga (Comics) and Pop-culture in India. Anime Cine Experience will be bringing the great anime works of Japan with films like The Girl who leapt through time, Grave of the fireflies, 5cm per second, Voices of Distant Star, The Place Promised in Our Early Days. In its inaugural edition the festival will showcase Japanese comics, anime serial, short film competitions, pop-culture exhibitions.

To give the audience a wider understanding of Anime, the festival will have workshops and special discussions will be conducted by one of the emerging game designers in India, Mr. Shubham Mauria, on the topic of The Relation of Anime and Its Avatars in Popular Culture in Relation to Japanese Gaming and Beyond. While Mr. Kshitiz Anand will be conducting “A workshop on animation with focus on Japan and its relation to world animation, ideas on 3D & 2D and the basic animation market”

Apart from these workshops, festival is also organizing a short-film competition. All the entries will run in a loop on Plasma TV in the Siri Fort auditorium lobby, which will be available for viewing by all the attendees of the festival. Short Anime corner will screen the 10 best short films and the top three films will be awarded. The festival will also have an exhibition of Manga (Japanese comics in English) along with a photography exhibition on Japan.

Cine Darbaar’s sister organization- Indian Auteur, a film journal will be publishing a special issue on Anime for the festival with the help of Japan Foundation. The issue will cover articles on directors like Hayao Miyazaki, Satoshi Kon, Mamoru Oshii, Makoto Shinkai and more. Indian Auteur is the only web journal existing in India writing extensively on Indian and world cinema. With the special Anime issue Indian Auteur will be going print in August and can be subscribed by all educational institutes as well as culture centers.

Cine Darbaar & Embassy of Japan, Japan Foundation & Directorate of Film Festivals, India invite you to

Anime Cine Experience

at

SIRI FORT AUDITORIUM-II


20th August, 2010


6: 30 PM: The Girl who leapt through time: 2006, 98 MINUTES, ROMANCE/DRAMA

Synopsis: A teenage girl finds that she has the ability to leap through time. With her newfound power, she tries to use it to her advantage, but soon finds that tampering with time can lead to some rather discomforting results.

…
21st August, 2010

11:30 AM: Voices of a Distant Star: 2003, 25 MINUTES, ROMANCE/SCIENCE FICTION

Synopsis: A high school romance is split apart when one member of the couple enlists in the UN space army to fight aliens who attacked our Martian colony. We follow their lives through the text messages they send one another, though the delivery times increase from a few minutes while she trains in orbit to over a eight years as her crew delves deeper into the universe searching for Earth’s enemies.

12:30 – 2:30 PM WORKSHOP by Khitiz Anand

3:30 PM 5 Centimeters Per Second: a chain of short stories about their distance, 2007, 63 MINUTES, DRAMA/ROMANCE

Synopsis: Takaki and Akari are two classmates in elementary school. During their time together they have become close friends. Their relationship is tested when Akari moves to another city because of her parents’ jobs. Both of them struggle to keep their friendship alive, as time and distance slowly pulls them apart. When Takaki finds out that he is moving further away, he decides to visit Akari one last time.

5:30 PM: The Place Promised in Our Early Days, 2004 91 MINUTES, DRAMA/SCIENCE FICTION

Synopsis: The story takes place in a alternate postwar period, in 1996, where Japan is divided. Hokkaido is ruled by the “Union” while Honshu and other southern islands are under US authority. A tall tower was built on Hokkaido, which could even be seen from Tokyo. In the summer of 1996, three middle-school students make a promise that they’ll cross the border with a self-constructed plane and unravel the tower’s secret, but their project was abandoned after the girl, Sayuri Sawatari, became mysteriously ill and transferred to Tokyo. Years later on the brink of another war Hiroki Fujisawa finds out that Sayuri had been in coma since then, and he asks Takuya Shirakawa to help him finding a way to wake her up.

22nd August, 2010

11:30 AM: Short Anime Corner

1: 30 PM: Talk by Mr. Shubhank Mauria

4: 00 PM : Chibi Maruko Chan: 93 Min/1990

Synopsis: As the second term commences, Maruko and her classmates return to their small groups. Maruko’s group includes two naughty boys and Maruko is forced to be one of their subordinates. She seems to face a lot of pressure at school. As the school’s athletic meet approaches, all the classmates are busy exercising. Maruko is no exception, although her laziness means that she is late sometimes. Maruko realizes that the two boys rival each other in everything they do, and that their friendship is deep and strong.

6:00 PM : Grave of the fireflies: 88 MIN/1988

Synopsis: Setsuko and Seita are brother and sister living in wartime Japan. After their mother is killed in an air raid they find a temporary home with relatives. Having quarreled with their aunt they leave the city and make their home in an abandoned shelter. While their father’s destiny who was a soldier is unknown the two must depend on each other to somehow keep a roof over their heads and food in their stomachs. When everything is in short supply, they gradually succumb to hunger and their only entertainment is the light of the fireflies. READ MORE

Comments

Post a Comment

Popular posts from this blog

Satyajit Ray, 'What's wrong with Indian Films?

By -
Image
2008 The year is drawing to a close and top-ten lists have already started hitting the Internet. While going through several list of the, ‘Best movies of the year- distributed and non-distributed,’ it’s sad and remarkable to see the omission of Indian films. Over the years, there seems to be either ignorance on part of film festivals, critics, organizers about our cinema or in a country of over billion people,we are not able to make one worthwhile film that could transcend boundaries and cultural space- irrespective of being Indian. Beside let’s make this clear- Slumdog Millionaire is not an Indian film as the media seemed to project, rather it’s a British film with an Indian context. And so instead of proclaiming this as our conquest on the global stage, we should lament why anyone from our own industry couldn’t achieve this feat. While it's high time we should move on from talking about our scripts reaching the Oscar library or the growth of Bollywood in the US and UK box-offic
Read more

Postmodernism and Cinema

By -
Image
ISSUE- no1 ISSUE- no2 Asim Ratan Ghosh discusses about the characteristics of post-modern cinema with examples from different significant post-modern films Today’s life is a post-modern one. Cinema and TV are shaping our lives - life styles and attitudes towards life. The social, economic and political problems have direct relationship with it. The cinema and TV serials are simulating a hyper-real world. They pretend to show a ‘real’ life. That world lures people. They try to search out that ideal life but without success. This failure creates hatred, frustration, anger and a sense of revenge. That is why the instances of suicide, homicide and other crimes and misdemeanors are gradually increasing. All over the world another phenomenon can be observed: social unrest and change of social order are taking place all over the world. In the economic front Capitalist flavour is almost lost. Multinationals are reigning the world. Economists call this ‘Late Capitalism’. This ‘Late Capitalism’
Read more

Narrative Style of Satyajit Ray- in context Godard, Eisenstein and others.

By -
Image
A discussion about the narrative styles of Satyajit Ray in different films like Pather Panchali, Aparajito, Charulata, Jana Arnya etc. In this context comparison with Godard, Eisenstein and other directors and schools are done. Sanjay Mukhopadhyay discusses with Bibhuti Bhusan Mandal and Dr. Arup Ratan Ghosh Sanjay Mukhopadhyay (SM): The discussion that we are going to begin is about Satyajit Ray and his films. To be more precise, the topic sounds as ‘Satyajit Ray and the narrative style of his films’. I want you to highlight the salient features of his narrative style . When Satyajit Ray came to the film industry he had already developed a film sense. He had written a lot of essays in the Calcutta Film Society journals. These volumes help us to know Ray’s theory about the cinematic aspects of film. For example, during Dada Saheb Phalke or Jamaibabu period (silent era) we find that theatres and novels had a lot of influence on cinema. In these essays we find that the theatrics of thes
Read more