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Satyajit Ray

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Satyajit Ray Date of Publication: 2004-06-03 Language: English Author: Amitav Ghosh In 1989, during my first extended stay in New York, I was suddenly struck by a wave of Ray nostalgia. It was no coincidence perhaps that I had recently finished writing The Shadow Lines, which is, of all my novels, the one that more clearly shows the influence of Satyajit Ray. It struck me that Ray too had once been a stranger in this overwhelming city; that he too had walked the streets on Manhattan in Kolkata-bought shoes. One day, plucking up my courage, I made an appointment with the director James Ivory, who I knew to be a friend of Ray's. Later that week I went to interview Ivory, cassette recorder in hand. This is how Ivory described his first meeting with Ray, in the winter of 1960: 'I looked him up in Calcutta,' Ivory said. 'I had never met him. I had seen at that point, Pather Panchali ('Song of the Road') and Aparajito ('Undefeated'). I knew that Apur Sansar (...
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Satyajit Ray, 'What's wrong with Indian Films?

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2008 The year is drawing to a close and top-ten lists have already started hitting the Internet. While going through several list of the, ‘Best movies of the year- distributed and non-distributed,’ it’s sad and remarkable to see the omission of Indian films. Over the years, there seems to be either ignorance on part of film festivals, critics, organizers about our cinema or in a country of over billion people,we are not able to make one worthwhile film that could transcend boundaries and cultural space- irrespective of being Indian. Beside let’s make this clear- Slumdog Millionaire is not an Indian film as the media seemed to project, rather it’s a British film with an Indian context. And so instead of proclaiming this as our conquest on the global stage, we should lament why anyone from our own industry couldn’t achieve this feat. While it's high time we should move on from talking about our scripts reaching the Oscar library or the growth of Bollywood in the US and UK box-offic...
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Satyajit Ray's: Aparajito

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PART 1 Aparajito, which Ray chose to film, had earned tremendous reviews as a novel and achieved another milestone in the literary career of eminent novelist Bibhuti Bhusan Bandopadhyay But Satyajit Ray’s perception was exclusive. His scenario was based on reality — a concept which the masses could correlate and conjure as such he evaded the mythology or any alien culture. The character Leela in the novel is thus transposed with the city Calcutta where chronological events in the life of Apu emerge within the framework of a modern city. To explore the psyche of Ray on cinema — an in-depth study of his book "Our Films Their Films" is particularly relevant. His perception on cinema —long before the idea of filming Pather Panchali emerged is evident from the essay "What is Wrong with Indian Cinema" in 1955. He writes ".....in the primitive state films were much alike no matter where they are produced. As the pioneers began to sense the uniqueness of the medium, th...
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