Ten Ten Ten

By -


The Blog is Coming Back to Life.

Updates on Cinema/Culture/Design to follow

In Meantime some of my design projects
http://niteshrohit.tumblr.com

On Twitter
https://twitter.com/niteshrohit


Comments

Post a Comment

Popular posts from this blog

Satyajit Ray, 'What's wrong with Indian Films?

By -
Image
2008 The year is drawing to a close and top-ten lists have already started hitting the Internet. While going through several list of the, ‘Best movies of the year- distributed and non-distributed,’ it’s sad and remarkable to see the omission of Indian films. Over the years, there seems to be either ignorance on part of film festivals, critics, organizers about our cinema or in a country of over billion people,we are not able to make one worthwhile film that could transcend boundaries and cultural space- irrespective of being Indian. Beside let’s make this clear- Slumdog Millionaire is not an Indian film as the media seemed to project, rather it’s a British film with an Indian context. And so instead of proclaiming this as our conquest on the global stage, we should lament why anyone from our own industry couldn’t achieve this feat. While it's high time we should move on from talking about our scripts reaching the Oscar library or the growth of Bollywood in the US and UK box-o
Read more

Narrative Style of Satyajit Ray- in context Godard, Eisenstein and others.

By -
Image
A discussion about the narrative styles of Satyajit Ray in different films like Pather Panchali, Aparajito, Charulata, Jana Arnya etc. In this context comparison with Godard, Eisenstein and other directors and schools are done. Sanjay Mukhopadhyay discusses with Bibhuti Bhusan Mandal and Dr. Arup Ratan Ghosh Sanjay Mukhopadhyay (SM): The discussion that we are going to begin is about Satyajit Ray and his films. To be more precise, the topic sounds as ‘Satyajit Ray and the narrative style of his films’. I want you to highlight the salient features of his narrative style . When Satyajit Ray came to the film industry he had already developed a film sense. He had written a lot of essays in the Calcutta Film Society journals. These volumes help us to know Ray’s theory about the cinematic aspects of film. For example, during Dada Saheb Phalke or Jamaibabu period (silent era) we find that theatres and novels had a lot of influence on cinema. In these essays we find that the theatrics of t
Read more

Kumar Shahani- a portrait

By -
Image
Indian Auteur - Issue 1 - Issue 2 Discussion- Bollywood Strike. It’s difficult to be Kumar Shahani. Not that there is a great public demand or media attention like our superstars. But its his path to continue pursuing the struggle to understand and evolve the form of cinema and its relationship with life and other art forms that has made things difficult. It's best put in his own words: "You know Subrato Mitra, whose camera work for early Satyajit Ray turned films into masterpieces. Subrato was also a film-maker in his own right. Can you imagine that all the films made by Subrato are reportedly reduced to ashes because of a fire in the studio which kept them in London?" asks Kumar. "Isn't it shameful that nobody seems concerned about such things?" Kumar should know. He is himself running from pillar to post to retrieve the negatives of one of his films. The lab, which is holding the negatives simply refuses to oblige because NFDC (the producer) has n
Read more