TOKYO IS DREAMING

By -




13 BCD
13 Basement
Hauz Khas Village
New Delhi


Comments

Shreya Singh said…
Hey,
I am looking forward to this. However I cant seem to be able to find the exact schedule or timings. Could you please either update it on you FB page or here.
Would be a great help.
January 31, 2012 at 5:25 PM
Anonymous said…
I read an article about this on The Hindu today. Indian Auteur is down I guess for some reasons. Why don't you provide some more info on this fest.

Vikas
VikasNegi13[a]gmail.com
February 1, 2012 at 1:07 AM
nitesh said…
@ Vikas

Yes, Indian Auteur is down due to shift to our new server+ Website it will launch again sometime in March.

@ Shreya

It's on from 12noon-7pm Monday-Saturday.
February 2, 2012 at 2:42 PM
Post a Comment

Popular posts from this blog

Satyajit Ray

By -
Image
Satyajit Ray Date of Publication: 2004-06-03 Language: English Author: Amitav Ghosh In 1989, during my first extended stay in New York, I was suddenly struck by a wave of Ray nostalgia. It was no coincidence perhaps that I had recently finished writing The Shadow Lines, which is, of all my novels, the one that more clearly shows the influence of Satyajit Ray. It struck me that Ray too had once been a stranger in this overwhelming city; that he too had walked the streets on Manhattan in Kolkata-bought shoes. One day, plucking up my courage, I made an appointment with the director James Ivory, who I knew to be a friend of Ray's. Later that week I went to interview Ivory, cassette recorder in hand. This is how Ivory described his first meeting with Ray, in the winter of 1960: 'I looked him up in Calcutta,' Ivory said. 'I had never met him. I had seen at that point, Pather Panchali ('Song of the Road') and Aparajito ('Undefeated'). I knew that Apur Sansar (...
Read more

Satyajit Ray, 'What's wrong with Indian Films?

By -
Image
2008 The year is drawing to a close and top-ten lists have already started hitting the Internet. While going through several list of the, ‘Best movies of the year- distributed and non-distributed,’ it’s sad and remarkable to see the omission of Indian films. Over the years, there seems to be either ignorance on part of film festivals, critics, organizers about our cinema or in a country of over billion people,we are not able to make one worthwhile film that could transcend boundaries and cultural space- irrespective of being Indian. Beside let’s make this clear- Slumdog Millionaire is not an Indian film as the media seemed to project, rather it’s a British film with an Indian context. And so instead of proclaiming this as our conquest on the global stage, we should lament why anyone from our own industry couldn’t achieve this feat. While it's high time we should move on from talking about our scripts reaching the Oscar library or the growth of Bollywood in the US and UK box-offic...
Read more

Gulabi Talkies

By -
Image
Gulabi is no pin-up model, yet her smile still lingers in my memory even after the movie and the Osian film festival long ended. She seemed so rooted in the ethos of her culture that almost all her gestures in the film are universal in their portrayal and reflection on life. The way she ate, the way she talked, the way she walked and the way she behaved formed a ritual play of gestures and expression unlike any other. The foundation on which the film explores the duality of human behavior- setting a story of an individual against a large socio-economic and political scenario makes this a remarkable and a masterfully conceived film. This very theme also forms a major backdrop for the eleven odd films directed by the master Girish Kasaravalli. Gulabi Talkies is a film in transit, where every second of screen time reveals something about who we really are, beneath it all. Gulabi who is an expert mid-wife is neglected by a number of people for being a Muslim woman, but she still manages to...
Read more