Cinedarbaar Film Club

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Interview with Anurag Kashyap

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A massive presence among us – Anurag Kashyap , we let him another sip on his Margarita. For the most part, we were poking, biting, probing, and seeking; for the remaining, we wanted to let the interview become a discussion between our favorite type of people – people who love cinema. Indian Auteur talks to Mr. Anurag Kashyap. NOTE – A lot of discussion off-the-record remains unpublished, for the fear of inviting controversy, no more of which, Mr.Kashyap seems to be very welcoming towards now. I can only assure the gentle reader that he stands to miss a lot, but then, such is life. Plus - Those who have missed, do check out the legendary debate between Anurag Kashyap his band of followers and us. The Filmmaker, Fanboys&Cinephile Debate How did your vast reading of the Hindi pulp novels help in developing your screenwriting style? I would have to say that I am not consciously aware of any such influence. As an afterthought, however, I would have to say that they did help. I was a...
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Satyajit Ray, 'What's wrong with Indian Films?

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2008 The year is drawing to a close and top-ten lists have already started hitting the Internet. While going through several list of the, ‘Best movies of the year- distributed and non-distributed,’ it’s sad and remarkable to see the omission of Indian films. Over the years, there seems to be either ignorance on part of film festivals, critics, organizers about our cinema or in a country of over billion people,we are not able to make one worthwhile film that could transcend boundaries and cultural space- irrespective of being Indian. Beside let’s make this clear- Slumdog Millionaire is not an Indian film as the media seemed to project, rather it’s a British film with an Indian context. And so instead of proclaiming this as our conquest on the global stage, we should lament why anyone from our own industry couldn’t achieve this feat. While it's high time we should move on from talking about our scripts reaching the Oscar library or the growth of Bollywood in the US and UK box-offic...
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THE DELHI MANIFESTO

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THE DELHI MANIFESTO Our cinema screen has become an ill-constructed, and conventional portal to a world we aspire of, rather than a mirror, which reflects us. Our emotions are guided by leitmotifs placed deftly, and religious beliefs exploited. Our spirit of inquiry has become dead and we have been reduced to mere receivers in the process. Cinema and television has replaced interaction with imposition of thought. Its thought. An artificial, fake and ill-created thought, a manifestation of our needs to escape ourselves. The medium has become a symbol of cheap entertainment, devoid of any examination of the form, and a victim of our collective need to create personalities, perfect alternate universes, and images of our aspiration. Our criticism has become trivial. Stories take precedent over the intrinsic qualities of the cinematic medium. Our film lovers are snobs, indulging in their wholehearted pseudo-intellectual diatribe, condemning the ignorant, and the ignorant have become so used...
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